Girl Makeup Tumblr Biogarphy
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A woman without paint is like food without salt," wrote the Roman
philosopher Plautus. But the reasons why people wear makeup, as well as
the styles in which they wear it, have changed dramatically over time.
In Greco-Roman societies, women wore white lead and chalk on their faces
to attract attention. Ancient Egyptians wore foundation to lighten
their skin, and the kohl eyeliner they used was only a bit heavier than
the eye makeup popular in the mid-1960s. Meanwhile, Persians believed
henna dyes, used to stain hair and faces, enabled them to summon the
majesty of the earth.
The European Middle Ages followed the Greco-Roman trend of pale faces.
Those rich enough not to work outdoors and acquire a suntan wanted to
show off their affluence by being pale. Fashionable sixth-century women
would achieve the look by bleeding themselves. Spanish prostitutes wore
pink makeup to contrast with high-class women's pale faces, while regal
13th-century Italian women wore pink lipstick to show they could afford
synthetic makeup.
During the Italian Renaissance, women wore lead paint on their faces.
The damage inflicted by the lead was unintentional—but arsenic face
powder wasn't. Aqua Toffana, named for creator Signora Toffana, was a
face powder designed for women from rich families. The container
directed women to visit the signora for proper usage instructions.
During the visit, women would be instructed never to ingest the makeup,
but to apply it to their cheeks when their husbands were around. Six
hundred dead husbands (and many wealthy widows) later, Toffana was
executed.
In Elizabethan England, cosmetics were seen as a health threat because
many thought they would block vapors and energy from circulating
properly. Because men's makeup wasn't as obvious as women's (women wore
egg whites over their faces to create a glazed look), it was seen as
even more deceptive than women's.
By the reign of Charles II, Europe was still recovering from sweeps of
illness. Many were hesitant to go outdoors, so heavy makeup supplied the
color that sun-fearing people couldn't get elsewhere. During the French
Restoration in the 18th century, red rouge and lipstick were the rage
and implied a healthy, fun-loving spirit. This stuck in France, but
eventually people in other countries became repulsed by excessive makeup
use and said the painted French must be unattractive because they had
something to hide.
Victorians claimed to abhor makeup, associating it with prostitutes.
When makeup regained acceptance in the late 19th century, it was with
natural tones so that the healthy, pink-cheeked look could be achieved
without giving in to the moral decadence of full makeup, which was still
seen as sinful.
The Victorian face was in fashion until mass makeup marketing hit in the
1920s. American women gained the vote, and the newly liberated woman
showed how free she was by displaying her right to speak out—red
lipstick practically became a social necessity. From the 1930s through
the 1950s, the looks of various movie stars defined vogue, from Mary
Pickford's baby-doll face to Audrey Hepburn's cat-eyes eyeliner. The
'60s brought a slew of makeup changes, from whited-out lips and
Egyptian-style eyeliner to fantasy images like butterflies painted on
faces at high-fashion outings. The heavy eyeliner look remained through
the late '70s and '80s, with wide color ranges entering the wearer's
palette. Makeup of today's Western world claims to be a melange of past
styles with
Girl Makeup Tumblr
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Women Makeup kit Biogarphy
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Sheer Lip Tints (matte or satin) convey a feeling of ease and approachability.
Shimmering, Iridescent or Sparkling finishes represent an effervescent or playful attitude.
Opaque Matte or Satin lipsticks in bright pastels or vibrant “hot” colors demand attention.
OpaqueMatte or Satin lipsticks in deeper, richer colors evoke a feeling of confidence and power.
High Shine or Glossy lips exude a heightened level of sexuality because
they simulate the look of lips that have just been licked.
When you mix any of these finishes together, you create a different, more complex personification.
For example; A woman wearing a glossy deep red lip color is sending a powerful message – she’s confident, sexy and in control.
In the last decade we’ve seen amazing innovations in this cosmetic
category. Hybrid formulas offer a myriad of textures, finishes and
levels of coverage. The development of micronized pigments has created
unparalleled vibrancy and color depth. We are also experiencing an
evolution of natural, organic or “good for you” lipsticks that are free
of petro-chemicals and man-made dyes. Because lipstick is ‘ingested”
due to it’s proximity to the mouth, inventive marketers are adding
vitamins, energy elixirs and even appetite depressants to lip products.
We’re also seeing the addition of more skincare and anti-aging benefits
including peptides, collagen, anti-oxidants and UVA/UVB protection.
These are a few of my picks for outstanding hybrid lipstick formulas:
OCC Lip Tar
OCC Lip Tar
Obsessive Compulsive Cosmetics “Lip Tar” – Highly concentrated (only a
tiny amount is needed) super saturated opaque lip colors that look
glossy as they come out of the tube, but set to a stunning velvety
finish. The colors are innovative (Cyan Blue) and playful (Harlot). If
you’re a makeup artist and don’t know about these…shame on you.
Consumers, don’t ask just get them! Oh, almost forgot – they’re VEGAN!
LipQueen
Lipstick Queen
Lipstick Queen “Sinner” & “Saint“ - Aussie Lipstick Queen, Poppy
King was so obsessed with having the perfect lipstick, she started her
own brand at 18 yrs old! Fast forward a decade and we have 10
universally wearable shades offered in either a 10% pigmented sheer
(Saint) or a whopping 90% pigmented matte (Sinner). No shimmer or
frost, just gorgeous color.
Becca Beach Tint
Becca Beach Tint
Becca Cosmetics “Beach Tints” – I love a good multi-tasker and these
amazing water-proof, streak-proof cream/gels can be used to create a
delicate translucent stain on lips and cheeks. Fun Bonus: They look and
smell like their yummy names (Lychee, Grapefruit, Watermelon, etc.)
Women Makeup kit
Women Makeup kit
Women Makeup kit
Women Makeup kit
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Women Makeup kit
Women Makeup kit
Women Makeup kit
Women Makeup kit
Women Makeup kit
Egyptian Women Makeup Biogarphy
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You may think you already know the history of blush (or rouge, as it was
called until recently): that it's always been worn to appear youthful
and radiant, but it's actually one of the most controversial forms of
makeup worn in our history.
Rouge became popular as early as in ancient Egypt, where both men and
women wore it. In addition to heavy black makeup on their eyes, many
ancient Egyptians wore rouge on cheeks and lips to add the pop of red.
Rouge originated as a thick paste, and was made from a range of things:
from strawberries, to red fruits and vegetable juices, to the powder of
finely crushed ochre.
It became popular in ancient Greece, where women whitened their
complexion with chalk or lead face powder, and then painted their cheeks
with a paste made from crushed seeds and berries. This look was a sign
of the wealthy elite, but the lead was also extremely deadly.
The rise of Christianity resulted the decline of rouge. The new stricter
dress codes and norms caused people to frown upon artificial cosmetics,
and it was seen as too flashy and promiscuous.
When the Middle Ages came around, however, women were more inclined to
go back to blush. One tactic was to regularly bleed oneself (to obtain
the coveted pale complexion), and then put a mixture of water and
strawberries on cheeks for a soft rosy color. Others wore egg whites on
their faces for paler skin, as being fair was a sign of high class.
Interestingly enough, there was a fine line drawn where acceptable rouge
was concerned. It was most common among upper class women and
prostitutes, and was often seen as immoral.
As soon as Queen Elizabeth embraced makeup, it became more acceptable.
Many women wore lead paints mixed with vinegar to create a past called
cerise for whitened skin, and mercury sulfide for rouge. This
combination is the reason why high foreheads were in fashion, because
the chemicals caused hair to fall out! AKA: receding hairlines for
women.
Lead and cerise are later discovered to cause major health issues for
women, including facial tremors, paralysis, and even death. When toxic
chemicals were in a rouge that was used on lips as well, it could poison
not only the woman, but her unborn children: causing miscarriages.
One product that was eaten to produce white skin was called Arsenic (red
flag!!) Complexion Wafers. They poisoned the blood so that less red
blood cells, and thus less oxygen, would reach organs. Rouges were also
created with mulberry (a harmless vegetable) and cinnabar: which was
indeed a poisonous red shade of mercury.
After the French revolution, makeup was again seen as extravagant and
improper, and women who wore it were seen as fake: trying to capture
lost youth.
Through the years, there were many attempts to ban makeup: whether it
was for moral or religious beliefs, or simply so that women wouldn't be
able to "fool" men with a false beauty (Clement of Alexandria of Greece
and a Greek Historian from the 4th Century believed that women were
deceiving men, tricking them into marriage with makeup.). Even as recent
as 1770, a law was put forth to the British parliament, suggesting that
a marriage could be annulled if the bride used cosmetics before the
wedding day.
After a long, and ever changing ride, rouge has evolved into today's
blush: an item essential to any woman's makeup bag. Thanks to modern
science and technology, blushes aren't just more affordable today, but
they're completely safe. And luckily, using it no longer makes you
appear promiscuous or improper
Egyptian Women Makeup
Egyptian Women Makeup
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Egyptian Women Makeup
Egyptian Women Makeup
Egyptian Women Makeup
Egyptian Women Makeup
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Egyptian Women Makeup
Best Women haircuts 2013 Biogarphy
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Ask almost any black woman and she will probably tell you that her
relationship with her hair is similar to a love affair. Whether it’s the
long hours spent waiting at the hair salon, the pain endured from
pressing or braiding, or the amount of money spent—hair is truly an
obsession. While I realize other cultures value hair, in Black culture
hair is extremely significant and often synonymous with identity. And
many individuals, such as Don King, Bob Marley, and Angela Davis have
used their hair to make a statement.
As a member of the Black culture, I admit we often take the significance
and maintenance of hair to another level. But this is not of our own
will. In fact, the importance of hair in the Black community can be
traced back to our African ancestors.
And the history of the affair begins.... The origin of this love affair
can be traced back to Africa. It seems only natural that the “affair”
would begin here, since most blacks were transported from the west coast
of Africa. Although the textures of their hair varied greatly, the
Africans expressed similar views on the cultural and social significance
of their hair. Social significance
“In the early fifteenth century, hair served as a carrier of messages in
most West African societies” (Tharps and Byrd 2001) These
Africans--citizens from the Mende, Wolof, Yoruba, and Mandingo—were all
transported to the “New World” on slave ships. Within these communities,
hair often communicated age, marital status, ethnic identity, religion,
wealth, and rank in the community. Hairstyles could also be used to
identify a geographic region. For example, in the Wolof culture of
Senegal, young girls partially shaved their hair as an outward symbol
that they were not courting (1). “And the Karamo people of Nigeria, for
example, were recognized for their unique coiffure—a shaved head with a
single tuft of hair left on top.” (1) Likewise, widowed women would stop
attending to their hair during their period of mourning so they
wouldn’t look attractive to other men. And as far as community leaders
were concerned, they donned elaborate hairstyles. And the royalty would
often wear a hat or headpiece, as a symbol of their stature. Aesthetic
significance
Just as the social significance of hair was important, so was its
aesthetic appeal. According to Sylvia Ardyn Boone, an anthropologist who
specializes in the Mende culture of Sierre Leone, “West African
communities admire a fine head of long, thick hair on a woman. A woman
with long thick hair demonstrates the life force, the multiplying power
of profusion, prosperity, a ‘green thumb’ for bountiful farms and many
healthy children” (Tharps and Byrd 2001) However, there was more to
being beautiful than having long tresses. One’s hair also had to be
neat, clean, and arranged in a certain style. These styles included, but
were not limited to, cornrows, and other braided styles. They also
adorned the hair with ornaments such as beads and cowrie shells.
Spirtual Significance
Just as hair was elevated for social and aesthetic reasons, its
spiritual connection also served to heighten its significance. Many
Africans believed the hair a way to communicate with the Divine Being.
According to Mohamed Mbodj, an associate professor of history at
Columbia University and a native of Dakar, Senegal, “the hair is the
most elevated point of your body, which means it is the closest to the
divine.” Consequently, many thought communication passed through the
hair. Many believed a single strand of hair could be used to cast spells
or inflict harm. This explains why hairdressers held and still hold
prominent positions in the community. For those who do not know, styling
and grooming black hair is often complicated and time consuming. This
time spent at the hairdresser often results in close bonds between the
stylist and the client. It is important to note that “unstyled and
unkempt hair was largely unseen, as were scarves and headwraps.”
Therefore, one can conclude that the hair was not meant to be covered.
Damaging Effects of the Slave Trade
As the study of American history has revealed, the slave trade not only
inflicted physical damage, but it also left emotional and psychological
scars. The most devastating scar, that is still reflected today, is that
done to the slave’s self-image. This is especially true as it relates
to hair and skin color. As they both became the framework for
determining race.
Slave owners often described the Africans' hair as being "woolly", thus
likening them to animals. These and other terms would later be used to
justify the inhumane treatment of the slaves. After years of repression
and constantly seeing those with "straight hair" and "light skin"
afforded better opportunities, the slaves began to internalize these
words. Ultimately, self-hatred began. In an effort to educate others
about black hair and to celebrate its diversity, I created this website.
While it is not a complete history of black hair, it should provide
some basic knowledge.
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Jewellery Designs Rings Biogarphy
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Other clues involve the style of the piece. Just as with architecture or
clothing, jewelry has reflected certain popular styles, designs, colors
and stones over the years. In the period from 1910 to 1930, for
instance, white was the favored color for metal. Jewelry made during
this time is often set in platinum, white gold, silver or a base metal
colored to look like silver. During World War II, gold was popular again
but in short supply, since it was vital to the war effort. What gold
was available was made into very thin sheets and usually bonded to
silver (called vermeil) before being turned into jewelry. The fine
rhinestones that had been used so prolifically in the 1930s came from
Europe, and thus were also not available to the Americans during the
1940s. As a result, many of the pieces from this period tend to feature
lots of metal and a single stone or a small cluster of tiny rhinestones.
Such facts can be gleaned through reference books and online sources,
followed by going to museums and antique malls to look at various
pieces.
Another major indicator about a piece, especially its age and its value,
is its back. When looking at brooches, earrings and necklaces, after
quickly looking at the front to get an idea of the piece's style, I
always examine the back. If a piece is marked, its back is where to find
a signature or hallmark. However, most (but not all) costume jewelers
did not start signing their pieces until the 1950s. Besides maker's
marks, a back may be stamped with numbers ("925" indicates sterling
silver, for example), hallmarks or the country of manufacture. Clues to
the age of brooches can be found by examining the clasp, the hinge and
the pin shaft itself. For example, a tube hinge is older than the ball
hinge. The C clasp is older than a safety clasp. And if the pin shaft
extends out beyond the edge of the brooch, it is an indication of a
mid-1800s piece. The back of a piece is also where most modifications
take place. The most common is to have a C clasp replaced with a safety
clasp. Such modifications can reduce the value of a piece by fifty
percent or more.
Interestingly, when I am asked to appraise a piece of jewelry, I am not
able to do so. The IRS considers museum professionals to be "interested
parties," and as such, we are not allowed to appraise. One way I suggest
that people find out the value of their pieces is to look at recent
books that do give values for jewelry; there are many currently in
print. Another easy way is to go online and see what prices similar
forms of jewelry are bringing. Finally, a person can have a certified
appraiser give them an evaluation. For insurance purposes, it is
especially important to have this evaluation in writing.
Jewelry is fun to collect. It is pretty, comes in an infinite variety of
forms and colors, and carries with it incredible history. The history
of jewelry is not only a history of design, style, fashion and
technology, but also of hopes and dreams.
A favorite decorative period of mine is the Art Deco Era, which sprang
from the end of WWI. Bouncing back from war efforts, where women
desperately had to take over men’s jobs and jewelry production was put
on hold, the Art Deco period is characterized by decadence. This period
encompasses the 1920s-1930s, during which women gained the right to
vote, 15 million new cars were registered and hit the roads (1920-1929),
many stock market fortunes were made, all while people danced the
Charleston. As you can tell, the jewelry reflected what was
happening–especially fashion. The “flapper” style was all the rage.
Women rebelled by wearing short dresses, red lipstick, and bobbed hair.
Bracelets were piled on, both on the upper and lower arms. Earrings,
particularly a dangle style, were popular because of the shorter
hairstyles.
As the economy and stock market flourished, Americans continued to spend
frivolously, while borrowing heavily. As a result, the stock market
crashed. The Great Depression loomed, and the lavish living of the
roaring twenties had come to a dramatic halt.
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