Tuesday 8 April 2014

Girl Makeup Tumblr

Girl Makeup Tumblr Biogarphy

Source(google.com.pk)
A woman without paint is like food without salt," wrote the Roman philosopher Plautus. But the reasons why people wear makeup, as well as the styles in which they wear it, have changed dramatically over time.
In Greco-Roman societies, women wore white lead and chalk on their faces to attract attention. Ancient Egyptians wore foundation to lighten their skin, and the kohl eyeliner they used was only a bit heavier than the eye makeup popular in the mid-1960s. Meanwhile, Persians believed henna dyes, used to stain hair and faces, enabled them to summon the majesty of the earth.
The European Middle Ages followed the Greco-Roman trend of pale faces. Those rich enough not to work outdoors and acquire a suntan wanted to show off their affluence by being pale. Fashionable sixth-century women would achieve the look by bleeding themselves. Spanish prostitutes wore pink makeup to contrast with high-class women's pale faces, while regal 13th-century Italian women wore pink lipstick to show they could afford synthetic makeup.
During the Italian Renaissance, women wore lead paint on their faces. The damage inflicted by the lead was unintentional—but arsenic face powder wasn't. Aqua Toffana, named for creator Signora Toffana, was a face powder designed for women from rich families. The container directed women to visit the signora for proper usage instructions. During the visit, women would be instructed never to ingest the makeup, but to apply it to their cheeks when their husbands were around. Six hundred dead husbands (and many wealthy widows) later, Toffana was executed.
In Elizabethan England, cosmetics were seen as a health threat because many thought they would block vapors and energy from circulating properly. Because men's makeup wasn't as obvious as women's (women wore egg whites over their faces to create a glazed look), it was seen as even more deceptive than women's.
By the reign of Charles II, Europe was still recovering from sweeps of illness. Many were hesitant to go outdoors, so heavy makeup supplied the color that sun-fearing people couldn't get elsewhere. During the French Restoration in the 18th century, red rouge and lipstick were the rage and implied a healthy, fun-loving spirit. This stuck in France, but eventually people in other countries became repulsed by excessive makeup use and said the painted French must be unattractive because they had something to hide.
Victorians claimed to abhor makeup, associating it with prostitutes. When makeup regained acceptance in the late 19th century, it was with natural tones so that the healthy, pink-cheeked look could be achieved without giving in to the moral decadence of full makeup, which was still seen as sinful.
The Victorian face was in fashion until mass makeup marketing hit in the 1920s. American women gained the vote, and the newly liberated woman showed how free she was by displaying her right to speak out—red lipstick practically became a social necessity. From the 1930s through the 1950s, the looks of various movie stars defined vogue, from Mary Pickford's baby-doll face to Audrey Hepburn's cat-eyes eyeliner. The '60s brought a slew of makeup changes, from whited-out lips and Egyptian-style eyeliner to fantasy images like butterflies painted on faces at high-fashion outings. The heavy eyeliner look remained through the late '70s and '80s, with wide color ranges entering the wearer's palette. Makeup of today's Western world claims to be a melange of past styles with

Girl Makeup Tumblr
Girl Makeup Tumblr
Girl Makeup Tumblr
Girl Makeup Tumblr
Girl Makeup Tumblr
Girl Makeup Tumblr
Girl Makeup Tumblr
Girl Makeup Tumblr
Girl Makeup Tumblr
Girl Makeup Tumblr
Girl Makeup Tumblr

Women Makeup kit

Women Makeup kit Biogarphy

Source(google.com.pk)
Sheer Lip Tints (matte or satin) convey a feeling of ease and approachability.
Shimmering, Iridescent or Sparkling finishes represent an effervescent or playful attitude.
Opaque Matte or Satin lipsticks in bright pastels or vibrant “hot” colors demand attention.
OpaqueMatte or Satin lipsticks in deeper, richer colors evoke a feeling of confidence and power.
High Shine or Glossy lips exude a heightened level of sexuality because they simulate the look of lips that have just been licked.
When you mix any of these finishes together, you create a different, more complex personification.
For example; A woman wearing a glossy deep red lip color is sending a powerful message – she’s confident, sexy and in control.
In the last decade we’ve seen amazing innovations in this cosmetic category.  Hybrid formulas offer a myriad of textures, finishes and levels of coverage.  The development of micronized pigments has created unparalleled vibrancy and color depth.  We are also experiencing an evolution of natural, organic or “good for you” lipsticks that are free of petro-chemicals and man-made dyes.  Because lipstick is ‘ingested” due to it’s proximity to the mouth, inventive marketers are adding vitamins, energy elixirs and even appetite depressants to lip products.  We’re also seeing the addition of more skincare and anti-aging benefits including peptides, collagen, anti-oxidants and UVA/UVB protection.
These are a few of my picks for outstanding hybrid lipstick formulas:
OCC Lip Tar
OCC Lip Tar
Obsessive Compulsive Cosmetics “Lip Tar” – Highly concentrated (only a tiny amount is needed) super saturated opaque lip colors that look glossy as they come out of the tube, but set to a stunning velvety finish.  The colors are innovative (Cyan Blue) and playful (Harlot).  If you’re a makeup artist and don’t know about these…shame on you.  Consumers, don’t ask just get them! Oh, almost forgot – they’re VEGAN!
LipQueen
Lipstick Queen
Lipstick Queen “Sinner” & “Saint“ -  Aussie Lipstick Queen, Poppy King was so obsessed with having the perfect lipstick, she started her own brand at 18 yrs old! Fast forward a decade and we have 10 universally wearable shades offered in either a 10% pigmented sheer (Saint) or a whopping 90% pigmented matte (Sinner).  No shimmer or frost, just gorgeous color.
Becca Beach Tint
Becca Beach Tint
Becca Cosmetics “Beach Tints” – I love a good multi-tasker and these amazing water-proof, streak-proof cream/gels can be used to create a delicate translucent stain on lips and cheeks.  Fun Bonus: They look and smell like their yummy names (Lychee, Grapefruit, Watermelon, etc.)

Women Makeup kit
Women Makeup kit
Women Makeup kit
Women Makeup kit
Women Makeup kit
Women Makeup kit
Women Makeup kit
Women Makeup kit
Women Makeup kit
Women Makeup kit
Women Makeup kit

Egyptian Women Makeup

Egyptian Women Makeup Biogarphy

Source(google.com.pk)
You may think you already know the history of blush (or rouge, as it was called until recently): that it's always been worn to appear youthful and radiant, but it's actually one of the most controversial forms of makeup worn in our history.
Rouge became popular as early as in ancient Egypt, where both men and women wore it. In addition to heavy black makeup on their eyes, many ancient Egyptians wore rouge on cheeks and lips to add the pop of red.
Rouge originated as a thick paste, and was made from a range of things: from strawberries, to red fruits and vegetable juices, to the powder of finely crushed ochre.
It became popular in ancient Greece, where women whitened their complexion with chalk or lead face powder, and then painted their cheeks with a paste made from crushed seeds and berries. This look was a sign of the wealthy elite, but the lead was also extremely deadly.
The rise of Christianity resulted the decline of rouge. The new stricter dress codes and norms caused people to frown upon artificial cosmetics, and it was seen as too flashy and promiscuous.
When the Middle Ages came around, however, women were more inclined to go back to blush. One tactic was to regularly bleed oneself (to obtain the coveted pale complexion), and then put a mixture of water and strawberries on cheeks for a soft rosy color. Others wore egg whites on their faces for paler skin, as being fair was a sign of high class.
Interestingly enough, there was a fine line drawn where acceptable rouge was concerned. It was most common among upper class women and prostitutes, and was often seen as immoral.
As soon as Queen Elizabeth embraced makeup, it became more acceptable. Many women wore lead paints mixed with vinegar to create a past called cerise for whitened skin, and mercury sulfide for rouge. This combination is the reason why high foreheads were in fashion, because the chemicals caused hair to fall out! AKA: receding hairlines for women.
Lead and cerise are later discovered to cause major health issues for women, including facial tremors, paralysis, and even death. When toxic chemicals were in a rouge that was used on lips as well, it could poison not only the woman, but her unborn children: causing miscarriages.
One product that was eaten to produce white skin was called Arsenic (red flag!!) Complexion Wafers. They poisoned the blood so that less red blood cells, and thus less oxygen, would reach organs. Rouges were also created with mulberry (a harmless vegetable) and cinnabar: which was indeed a poisonous red shade of mercury.
After the French revolution, makeup was again seen as extravagant and improper, and women who wore it were seen as fake: trying to capture lost youth.
Through the years, there were many attempts to ban makeup: whether it was for moral or religious beliefs, or simply so that women wouldn't be able to "fool" men with a false beauty (Clement of Alexandria of Greece and a Greek Historian from the 4th Century believed that women were deceiving men, tricking them into marriage with makeup.). Even as recent as 1770, a law was put forth to the British parliament, suggesting that a marriage could be annulled if the bride used cosmetics before the wedding day.
After a long, and ever changing ride, rouge has evolved into today's blush: an item essential to any woman's makeup bag. Thanks to modern science and technology, blushes aren't just more affordable today, but they're completely safe. And luckily, using it no longer makes you appear promiscuous or improper

Egyptian Women Makeup
Egyptian Women Makeup
Egyptian Women Makeup
Egyptian Women Makeup
Egyptian Women Makeup
Egyptian Women Makeup
Egyptian Women Makeup
Egyptian Women Makeup
Egyptian Women Makeup
Egyptian Women Makeup
Egyptian Women Makeup

Best Women haircuts 2013

Best Women haircuts 2013 Biogarphy

Source(google.com.pk)
Ask almost any black woman and she will probably tell you that her relationship with her hair is similar to a love affair. Whether it’s the long hours spent waiting at the hair salon, the pain endured from pressing or braiding, or the amount of money spent—hair is truly an obsession. While I realize other cultures value hair, in Black culture hair is extremely significant and often synonymous with identity. And many individuals, such as Don King, Bob Marley, and Angela Davis have used their hair to make a statement.
As a member of the Black culture, I admit we often take the significance and maintenance of hair to another level. But this is not of our own will. In fact, the importance of hair in the Black community can be traced back to our African ancestors.
And the history of the affair begins.... The origin of this love affair can be traced back to Africa. It seems only natural that the “affair” would begin here, since most blacks were transported from the west coast of Africa. Although the textures of their hair varied greatly, the Africans expressed similar views on the cultural and social significance of their hair. Social significance
“In the early fifteenth century, hair served as a carrier of messages in most West African societies” (Tharps and Byrd 2001) These Africans--citizens from the Mende, Wolof, Yoruba, and Mandingo—were all transported to the “New World” on slave ships. Within these communities, hair often communicated age, marital status, ethnic identity, religion, wealth, and rank in the community. Hairstyles could also be used to identify a geographic region. For example, in the Wolof culture of Senegal, young girls partially shaved their hair as an outward symbol that they were not courting (1). “And the Karamo people of Nigeria, for example, were recognized for their unique coiffure—a shaved head with a single tuft of hair left on top.” (1) Likewise, widowed women would stop attending to their hair during their period of mourning so they wouldn’t look attractive to other men. And as far as community leaders were concerned, they donned elaborate hairstyles. And the royalty would often wear a hat or headpiece, as a symbol of their stature. Aesthetic significance
Just as the social significance of hair was important, so was its aesthetic appeal. According to Sylvia Ardyn Boone, an anthropologist who specializes in the Mende culture of Sierre Leone, “West African communities admire a fine head of long, thick hair on a woman. A woman with long thick hair demonstrates the life force, the multiplying power of profusion, prosperity, a ‘green thumb’ for bountiful farms and many healthy children” (Tharps and Byrd 2001) However, there was more to being beautiful than having long tresses. One’s hair also had to be neat, clean, and arranged in a certain style. These styles included, but were not limited to, cornrows, and other braided styles. They also adorned the hair with ornaments such as beads and cowrie shells.
Spirtual Significance
Just as hair was elevated for social and aesthetic reasons, its spiritual connection also served to heighten its significance. Many Africans believed the hair a way to communicate with the Divine Being. According to Mohamed Mbodj, an associate professor of history at Columbia University and a native of Dakar, Senegal, “the hair is the most elevated point of your body, which means it is the closest to the divine.” Consequently, many thought communication passed through the hair. Many believed a single strand of hair could be used to cast spells or inflict harm. This explains why hairdressers held and still hold prominent positions in the community. For those who do not know, styling and grooming black hair is often complicated and time consuming. This time spent at the hairdresser often results in close bonds between the stylist and the client. It is important to note that “unstyled and unkempt hair was largely unseen, as were scarves and headwraps.” Therefore, one can conclude that the hair was not meant to be covered.
Damaging Effects of the Slave Trade
As the study of American history has revealed, the slave trade not only inflicted physical damage, but it also left emotional and psychological scars. The most devastating scar, that is still reflected today, is that done to the slave’s self-image. This is especially true as it relates to hair and skin color. As they both became the framework for determining race.
Slave owners often described the Africans' hair as being "woolly", thus likening them to animals. These and other terms would later be used to justify the inhumane treatment of the slaves. After years of repression and constantly seeing those with "straight hair" and "light skin" afforded better opportunities, the slaves began to internalize these words. Ultimately, self-hatred began. In an effort to educate others about black hair and to celebrate its diversity, I created this website. While it is not a complete history of black hair, it should provide some basic knowledge.

Best Women haircuts 2013
Best Women haircuts 2013
Best Women haircuts 2013
Best Women haircuts 2013
Best Women haircuts 2013
Best Women haircuts 2013
Best Women haircuts 2013
Best Women haircuts 2013
Best Women haircuts 2013
Best Women haircuts 2013
Best Women haircuts 2013

Jewellery Designs Rings

Jewellery Designs Rings Biogarphy

Source(google.com.pk)
Other clues involve the style of the piece. Just as with architecture or clothing, jewelry has reflected certain popular styles, designs, colors and stones over the years. In the period from 1910 to 1930, for instance, white was the favored color for metal. Jewelry made during this time is often set in platinum, white gold, silver or a base metal colored to look like silver. During World War II, gold was popular again but in short supply, since it was vital to the war effort. What gold was available was made into very thin sheets and usually bonded to silver (called vermeil) before being turned into jewelry. The fine rhinestones that had been used so prolifically in the 1930s came from Europe, and thus were also not available to the Americans during the 1940s. As a result, many of the pieces from this period tend to feature lots of metal and a single stone or a small cluster of tiny rhinestones. Such facts can be gleaned through reference books and online sources, followed by going to museums and antique malls to look at various pieces.
Another major indicator about a piece, especially its age and its value, is its back. When looking at brooches, earrings and necklaces, after quickly looking at the front to get an idea of the piece's style, I always examine the back. If a piece is marked, its back is where to find a signature or hallmark. However, most (but not all) costume jewelers did not start signing their pieces until the 1950s. Besides maker's marks, a back may be stamped with numbers ("925" indicates sterling silver, for example), hallmarks or the country of manufacture. Clues to the age of brooches can be found by examining the clasp, the hinge and the pin shaft itself. For example, a tube hinge is older than the ball hinge. The C clasp is older than a safety clasp. And if the pin shaft extends out beyond the edge of the brooch, it is an indication of a mid-1800s piece. The back of a piece is also where most modifications take place. The most common is to have a C clasp replaced with a safety clasp. Such modifications can reduce the value of a piece by fifty percent or more.
Interestingly, when I am asked to appraise a piece of jewelry, I am not able to do so. The IRS considers museum professionals to be "interested parties," and as such, we are not allowed to appraise. One way I suggest that people find out the value of their pieces is to look at recent books that do give values for jewelry; there are many currently in print. Another easy way is to go online and see what prices similar forms of jewelry are bringing. Finally, a person can have a certified appraiser give them an evaluation. For insurance purposes, it is especially important to have this evaluation in writing.
Jewelry is fun to collect. It is pretty, comes in an infinite variety of forms and colors, and carries with it incredible history. The history of jewelry is not only a history of design, style, fashion and technology, but also of hopes and dreams.
A favorite decorative period of mine is the Art Deco Era, which sprang from the end of WWI. Bouncing back from war efforts, where women desperately had to take over men’s jobs and jewelry production was put on hold, the Art Deco period is characterized by decadence. This period encompasses the 1920s-1930s, during which women gained the right to vote, 15 million new cars were registered and hit the roads (1920-1929), many stock market fortunes were made, all while people danced the Charleston. As you can tell, the jewelry reflected what was happening–especially fashion. The “flapper” style was all the rage. Women rebelled by wearing short dresses, red lipstick, and bobbed hair. Bracelets were piled on, both on the upper and lower arms. Earrings, particularly a dangle style, were popular because of the shorter hairstyles.
As the economy and stock market flourished, Americans continued to spend frivolously, while borrowing heavily. As a result, the stock market crashed. The Great Depression loomed, and the lavish living of the roaring twenties had come to a dramatic halt.

Jewellery Designs Rings
Jewellery Designs Rings
Jewellery Designs Rings
Jewellery Designs Rings
Jewellery Designs Rings
Jewellery Designs Rings
Jewellery Designs Rings
Jewellery Designs Rings

Jewellery Designs Rings



Jewellery Designs Rings

Jewellery Designs Rings